Header Logo
Neues Globe Theater
(4 Reviews)

Potsdam

Geschäftsstelle, Gutenbergstraße 97, 14467 Potsdam, Deutschland

New Globe Theater Potsdam | Schedule & Dates

The New Globe Theater from Potsdam is not a traditional house stage, but an actor-led touring company that has been traveling with classic and modern spoken theater since 2015. On the official website, the ensemble describes itself as a group that rethinks the spirit of Elizabethan theater and creates its performance venues anew depending on the production. This is exactly why the most important search queries revolve around the schedule, dates, and individual pieces such as Mephisto or It Was the Lark. Those looking for the address should know: Gutenbergstraße 97 is the office, not the actual performance venue. ([neuesglobetheater.de](https://neuesglobetheater.de/?utm_source=openai))

Schedule and Current Dates

For a touring stage, the schedule page is the most important anchor, and this is exactly where the New Globe Theater shows how broad its reach is. The official calendar lists not only Potsdam but also Berlin, Schwedt, and other cities. For summer 2026, it includes performances such as Draußen vor der Tür on August 14, 2026, at T-Werk Potsdam and Sturm on August 22 and 23, 2026, at Jagdschloss Grunewald in Berlin. This immediately clarifies why many users search for schedule and Berlin: the production takes place not at a fixed house but at changing locations. ([neuesglobetheater.de](https://neuesglobetheater.de/termine/liste/?tribe-bar-date=2026-08-18))

A glance at the other entries also makes the character of the ensemble clear. The official schedule already extends far into the future and shows guest performances in various cities, such as Mephisto in Schwedt, Herr Puntila and his servant Matti at T-Werk Potsdam, or further performances in Aschaffenburg, Sonthofen, Uelzen, and Lennestadt. So, when someone enters the word schedule, they are actually searching for the rhythm of movement of an ensemble that does not tie its dates to a single stage but creates new contexts for each production and location. The calendar view is therefore not just a service but the actual entry point into the entire brand New Globe Theater. ([neuesglobetheater.de](https://neuesglobetheater.de/termine/liste/?tribe-bar-date=2026-08-18))

Touring Theater Without a Fixed Venue

The crucial point for anyone asking about directions, seating, or capacity is the clear statement in the imprint: The New Globe Theater does not have its own venue. The address Gutenbergstraße 97 in Potsdam is explicitly only the office. The performances take place at the houses of the respective guest performance locations, and this is precisely why a different venue is relevant for each production. This structure also explains why the ensemble works with traditional theaters, community centers, town halls, and open-air stages. Each location becomes a stage for one evening, and the search intention behind terms like schedule or dates is ultimately always a search for the next guest performance location. ([neuesglobetheater.de](https://neuesglobetheater.de/impressum/))

This openness is not only organizational but part of the artistic self-understanding. The two directors Andreas Erfurth and Kai Frederic Schrickel describe the ensemble as a Potsdam theater group that takes Shakespeare's ideas literally and creates the stage wherever audience and performance come together. The text about us also describes the founding in 2015 in Potsdam; it also states that Sebastian Bischoff was a significant co-founder until his death in 2025. The ensemble is also organized in several industry and theater networks, including the State Association of Free Performing Arts Brandenburg, IG+, and the Theater Initiative e.V. This underscores: This is not a stationary city theater but a well-networked touring ensemble with a clear signature. ([neuesglobetheater.de](https://neuesglobetheater.de/die-ganze-welt-ist-eine-buehne/))

History and Ensemble in Potsdam

The New Globe Theater sees itself as an ensemble theater in the best sense. On the about us page, it is emphasized that contact with the audience begins before the first performance and that the productions consciously break the fourth wall. Men play women, old play young, and vice versa; not as a gag, but as part of a way of playing where perception, perspective, and role distribution are constantly in motion. This attitude is closely linked to Shakespeare, Molière, Cervantes, Goldoni, Brecht, and other authors. The result is a theater that does not rely on naturalism but on imagination, pace, transformation, and a direct closeness to the audience. This is exactly where the charm of many search queries for Mephisto, Don Quijote, or It Was the Lark comes from. ([neuesglobetheater.de](https://neuesglobetheater.de/die-ganze-welt-ist-eine-buehne/))

Historically, the ensemble has established itself remarkably broadly in just a few years. The path ranges from Hamlet, The Robbers, and King Lear to India - a treasure hunt through the German provinces, The Tricks of Scapin, and The Life of Edward II of England to The Craziest Day or Figaro's Wedding, Don Quijote, Sturm, Max and Moritz, A German Life, Mephisto, The Servant of Two Masters, It Was the Lark, and Draußen vor der Tür. According to the official self-presentation, some productions were invited to the International Shakespeare Festival in Neuss, and Mephisto won the second prize of the INTHEGA award Die Neuberin in 2024. This shows that a touring project in Potsdam has become a nationally visible theater brand. ([neuesglobetheater.de](https://neuesglobetheater.de/die-ganze-welt-ist-eine-buehne/))

Mephisto, It Was the Lark, and the Repertoire

Mephisto is one of the pieces with which the New Globe Theater particularly clearly shows its artistic signature. The official piece page tells the story of the actor Hendrik Höfgen, who from 1926 to 1936 comes close to power and moral downfall and rises to become the celebrated star of the so-called Third Reich. The production is described as a revue-style theater with live music and a master of ceremonies, a dance on the volcano in the distorted mirror of a political cabaret of the 1920s and 1930s. This mix of political material, music, and intensity of performance is typical for the ensemble and explains why Mephisto appears so prominently in search queries. ([neuesglobetheater.de](https://neuesglobetheater.de/stueck/mephisto/))

It Was the Lark is also particularly important for the search behavior surrounding the New Globe Theater. The official piece page states that the comedy by Ephraim Kishon plays with the question of what would have happened to Romeo and Juliet if they had not died but had to continue living as a couple after decades. The production is bookable for the entire season, lasts about two hours plus intermission, and involves three actresses and actors as well as a technician. For the 2027/28 season, the page lists several guest performance locations, including Potsdam, Hameln, Sonthofen, Peine, and Aschaffenburg. This clarifies why the search terms target not just one title but the touring logic of the entire repertoire. ([neuesglobetheater.de](https://neuesglobetheater.de/stueck/es-war-die-lerche/))

Draußen vor der Tür, Don Quijote, and the Way of Playing

Draußen vor der Tür is the production with which the New Globe Theater will become particularly visible in Potsdam in 2026. The official event of the state capital names the performance for August 14, 2026, at T-Werk Potsdam and describes it as a play against war by Wolfgang Borchert. There, Beckmann is shown as a 25-year-old returnee who comes back from the war and finds no place in life anymore. The ensemble's piece page adds that the production consciously works with a young concept: the author, title role, and actors are all 25 years old. Additionally, music by Tilman Ritter comments on the events and opens up additional layers. This is a good example of how the ensemble connects historical material with a very current perspective. ([potsdam.de](https://www.potsdam.de/de/veranstaltung/draussen-vor-der-tuer-von-neues-globe-theater-potsdam))

Don Quijote shows another, but equally typical facet. On the piece page, the story is not presented as grand set theater but as a concentrated evening for two actors and a guitarist, where language, body, and stage are sufficient to transform reality into imagination. The production thrives on reduction, on few props, and on a presence that pulls the audience right into the action. This fits exactly with the principles of the ensemble, which explains on the about us page how strongly the play within the play and the closeness to the audience shape its work. So, anyone searching for the typical way of playing of the New Globe Theater will find it right here: little decor, much imagination, high physical presence, music as a driving force, and a stage that only fully opens in the audience's mind. ([neuesglobetheater.de](https://neuesglobetheater.de/stueck/don-quijote/))

Workshops, Piece Introductions, Address, and Contact

The practical side of the New Globe Theater includes not only dates and pieces but also educational offerings. The official website states that the ensemble offers one to four-hour theater workshops for school classes and theater clubs. These workshops are led by actors from the New Globe Theater and can take place at the guest performance location or in the school's facilities. Additionally, the ensemble offers a free, approximately 20-minute piece introduction before the performance upon request. This is an important factor for schools, cultural institutions, and organizers because the touring ensemble does not just deliver a performance but also provides an accompanying educational framework. ([neuesglobetheater.de](https://neuesglobetheater.de//))

For inquiries, the contact details are clearly communicated: kontakt@neuesglobetheater.de and the phone number +49 (0) 177 3238570. The office is located at Gutenbergstraße 97 in 14467 Potsdam. At the same time, it is important for visitors to know that the actual arrival always depends on the respective guest performance location, as the ensemble does not have a fixed stage. The website also mentions membership in the State Association of Free Performing Arts Brandenburg, IG+, and the Theater Initiative e.V. For anyone looking for a reliable source for the next date, the official schedule page remains the best entry point: there, the locations, times, and respective performance venues are listed directly with the production. ([neuesglobetheater.de](https://neuesglobetheater.de/impressum/))

For seekers, it is clear: The New Globe Theater stands in Potsdam for adaptable, touring spoken theater with strong classics and current guest performances. Those looking for the schedule should check the dates; those looking for the location should think of the office on Gutenbergstraße; those looking for the stage should follow the respective guest performance houses in Potsdam, Berlin, and beyond. ([neuesglobetheater.de](https://neuesglobetheater.de/impressum/))

Sources:

Mehr anzeigen

New Globe Theater Potsdam | Schedule & Dates

The New Globe Theater from Potsdam is not a traditional house stage, but an actor-led touring company that has been traveling with classic and modern spoken theater since 2015. On the official website, the ensemble describes itself as a group that rethinks the spirit of Elizabethan theater and creates its performance venues anew depending on the production. This is exactly why the most important search queries revolve around the schedule, dates, and individual pieces such as Mephisto or It Was the Lark. Those looking for the address should know: Gutenbergstraße 97 is the office, not the actual performance venue. ([neuesglobetheater.de](https://neuesglobetheater.de/?utm_source=openai))

Schedule and Current Dates

For a touring stage, the schedule page is the most important anchor, and this is exactly where the New Globe Theater shows how broad its reach is. The official calendar lists not only Potsdam but also Berlin, Schwedt, and other cities. For summer 2026, it includes performances such as Draußen vor der Tür on August 14, 2026, at T-Werk Potsdam and Sturm on August 22 and 23, 2026, at Jagdschloss Grunewald in Berlin. This immediately clarifies why many users search for schedule and Berlin: the production takes place not at a fixed house but at changing locations. ([neuesglobetheater.de](https://neuesglobetheater.de/termine/liste/?tribe-bar-date=2026-08-18))

A glance at the other entries also makes the character of the ensemble clear. The official schedule already extends far into the future and shows guest performances in various cities, such as Mephisto in Schwedt, Herr Puntila and his servant Matti at T-Werk Potsdam, or further performances in Aschaffenburg, Sonthofen, Uelzen, and Lennestadt. So, when someone enters the word schedule, they are actually searching for the rhythm of movement of an ensemble that does not tie its dates to a single stage but creates new contexts for each production and location. The calendar view is therefore not just a service but the actual entry point into the entire brand New Globe Theater. ([neuesglobetheater.de](https://neuesglobetheater.de/termine/liste/?tribe-bar-date=2026-08-18))

Touring Theater Without a Fixed Venue

The crucial point for anyone asking about directions, seating, or capacity is the clear statement in the imprint: The New Globe Theater does not have its own venue. The address Gutenbergstraße 97 in Potsdam is explicitly only the office. The performances take place at the houses of the respective guest performance locations, and this is precisely why a different venue is relevant for each production. This structure also explains why the ensemble works with traditional theaters, community centers, town halls, and open-air stages. Each location becomes a stage for one evening, and the search intention behind terms like schedule or dates is ultimately always a search for the next guest performance location. ([neuesglobetheater.de](https://neuesglobetheater.de/impressum/))

This openness is not only organizational but part of the artistic self-understanding. The two directors Andreas Erfurth and Kai Frederic Schrickel describe the ensemble as a Potsdam theater group that takes Shakespeare's ideas literally and creates the stage wherever audience and performance come together. The text about us also describes the founding in 2015 in Potsdam; it also states that Sebastian Bischoff was a significant co-founder until his death in 2025. The ensemble is also organized in several industry and theater networks, including the State Association of Free Performing Arts Brandenburg, IG+, and the Theater Initiative e.V. This underscores: This is not a stationary city theater but a well-networked touring ensemble with a clear signature. ([neuesglobetheater.de](https://neuesglobetheater.de/die-ganze-welt-ist-eine-buehne/))

History and Ensemble in Potsdam

The New Globe Theater sees itself as an ensemble theater in the best sense. On the about us page, it is emphasized that contact with the audience begins before the first performance and that the productions consciously break the fourth wall. Men play women, old play young, and vice versa; not as a gag, but as part of a way of playing where perception, perspective, and role distribution are constantly in motion. This attitude is closely linked to Shakespeare, Molière, Cervantes, Goldoni, Brecht, and other authors. The result is a theater that does not rely on naturalism but on imagination, pace, transformation, and a direct closeness to the audience. This is exactly where the charm of many search queries for Mephisto, Don Quijote, or It Was the Lark comes from. ([neuesglobetheater.de](https://neuesglobetheater.de/die-ganze-welt-ist-eine-buehne/))

Historically, the ensemble has established itself remarkably broadly in just a few years. The path ranges from Hamlet, The Robbers, and King Lear to India - a treasure hunt through the German provinces, The Tricks of Scapin, and The Life of Edward II of England to The Craziest Day or Figaro's Wedding, Don Quijote, Sturm, Max and Moritz, A German Life, Mephisto, The Servant of Two Masters, It Was the Lark, and Draußen vor der Tür. According to the official self-presentation, some productions were invited to the International Shakespeare Festival in Neuss, and Mephisto won the second prize of the INTHEGA award Die Neuberin in 2024. This shows that a touring project in Potsdam has become a nationally visible theater brand. ([neuesglobetheater.de](https://neuesglobetheater.de/die-ganze-welt-ist-eine-buehne/))

Mephisto, It Was the Lark, and the Repertoire

Mephisto is one of the pieces with which the New Globe Theater particularly clearly shows its artistic signature. The official piece page tells the story of the actor Hendrik Höfgen, who from 1926 to 1936 comes close to power and moral downfall and rises to become the celebrated star of the so-called Third Reich. The production is described as a revue-style theater with live music and a master of ceremonies, a dance on the volcano in the distorted mirror of a political cabaret of the 1920s and 1930s. This mix of political material, music, and intensity of performance is typical for the ensemble and explains why Mephisto appears so prominently in search queries. ([neuesglobetheater.de](https://neuesglobetheater.de/stueck/mephisto/))

It Was the Lark is also particularly important for the search behavior surrounding the New Globe Theater. The official piece page states that the comedy by Ephraim Kishon plays with the question of what would have happened to Romeo and Juliet if they had not died but had to continue living as a couple after decades. The production is bookable for the entire season, lasts about two hours plus intermission, and involves three actresses and actors as well as a technician. For the 2027/28 season, the page lists several guest performance locations, including Potsdam, Hameln, Sonthofen, Peine, and Aschaffenburg. This clarifies why the search terms target not just one title but the touring logic of the entire repertoire. ([neuesglobetheater.de](https://neuesglobetheater.de/stueck/es-war-die-lerche/))

Draußen vor der Tür, Don Quijote, and the Way of Playing

Draußen vor der Tür is the production with which the New Globe Theater will become particularly visible in Potsdam in 2026. The official event of the state capital names the performance for August 14, 2026, at T-Werk Potsdam and describes it as a play against war by Wolfgang Borchert. There, Beckmann is shown as a 25-year-old returnee who comes back from the war and finds no place in life anymore. The ensemble's piece page adds that the production consciously works with a young concept: the author, title role, and actors are all 25 years old. Additionally, music by Tilman Ritter comments on the events and opens up additional layers. This is a good example of how the ensemble connects historical material with a very current perspective. ([potsdam.de](https://www.potsdam.de/de/veranstaltung/draussen-vor-der-tuer-von-neues-globe-theater-potsdam))

Don Quijote shows another, but equally typical facet. On the piece page, the story is not presented as grand set theater but as a concentrated evening for two actors and a guitarist, where language, body, and stage are sufficient to transform reality into imagination. The production thrives on reduction, on few props, and on a presence that pulls the audience right into the action. This fits exactly with the principles of the ensemble, which explains on the about us page how strongly the play within the play and the closeness to the audience shape its work. So, anyone searching for the typical way of playing of the New Globe Theater will find it right here: little decor, much imagination, high physical presence, music as a driving force, and a stage that only fully opens in the audience's mind. ([neuesglobetheater.de](https://neuesglobetheater.de/stueck/don-quijote/))

Workshops, Piece Introductions, Address, and Contact

The practical side of the New Globe Theater includes not only dates and pieces but also educational offerings. The official website states that the ensemble offers one to four-hour theater workshops for school classes and theater clubs. These workshops are led by actors from the New Globe Theater and can take place at the guest performance location or in the school's facilities. Additionally, the ensemble offers a free, approximately 20-minute piece introduction before the performance upon request. This is an important factor for schools, cultural institutions, and organizers because the touring ensemble does not just deliver a performance but also provides an accompanying educational framework. ([neuesglobetheater.de](https://neuesglobetheater.de//))

For inquiries, the contact details are clearly communicated: kontakt@neuesglobetheater.de and the phone number +49 (0) 177 3238570. The office is located at Gutenbergstraße 97 in 14467 Potsdam. At the same time, it is important for visitors to know that the actual arrival always depends on the respective guest performance location, as the ensemble does not have a fixed stage. The website also mentions membership in the State Association of Free Performing Arts Brandenburg, IG+, and the Theater Initiative e.V. For anyone looking for a reliable source for the next date, the official schedule page remains the best entry point: there, the locations, times, and respective performance venues are listed directly with the production. ([neuesglobetheater.de](https://neuesglobetheater.de/impressum/))

For seekers, it is clear: The New Globe Theater stands in Potsdam for adaptable, touring spoken theater with strong classics and current guest performances. Those looking for the schedule should check the dates; those looking for the location should think of the office on Gutenbergstraße; those looking for the stage should follow the respective guest performance houses in Potsdam, Berlin, and beyond. ([neuesglobetheater.de](https://neuesglobetheater.de/impressum/))

Sources:

Upcoming Events

Frequently Asked Questions

Reviews

No reviews found