When does the performance start?

The performance starts on 09.10.2026 at 19:30.

Where is the event taking place?

At Kunsthaus sans titre in Französische Straße 18, 14467 Potsdam.

How much does a ticket cost?

A specific ticket price could not be verified. Please check the current information from the organizer before purchase.

Is the event free of charge?

Free participation could not be confirmed.

What type of event is this?

It is a dance theater performance with a focus on performing arts.

Are there official social media channels?

No verified official profiles were distinctly found.

A dance theater about identity, fractures, and new beginnings in Potsdam

Name: Re(DE)constructing Me again - a dance theater performance
Start: 2026-10-09T21:30:00+02:00
End: 2026-10-09T21:30:00+02:00
Location: Kunsthaus sans titre

A dance theater evening about identity, fractures, and the art of new beginnings

With Re(DE)constructing Me again, a stage experience is being created in Potsdam that condenses movement, biography, and present in a concentrated dance theater performance. The evening combines the power of the body with the question of how a self-image arises, disintegrates, and reassembles.

Between memory and present

The production has been funded as an artistic project by Sharon Kotkovsky for 2026 in Potsdam, clearly situating itself within the independent performing arts of the city. The title already suggests a double movement: to reconstruct and deconstruct, to preserve and question, to find oneself and lose oneself again. This is exactly where the evening derives its tension.

Dance as a language of the unsaid

Dance theater thrives on condensation: a glance, a gesture, an abrupt pause can tell more than a long monologue. In this aesthetic, a theater atmosphere unfolds where physicality becomes dramaturgy. The audience's reaction is likely to be particularly strong where personal memory, identity, and the fragile search for belonging are translated into motion.

A Potsdam stage for open questions

The venue at Französische Straße 18 points to Kunsthaus sans titre, a Potsdam location for exhibitions, music, readings, dance, and performing arts. The environment fits the production: not representative in the classical sense, but close to the artistic idea, open, experimental, and atmospherically condensed. For a dance theater like this, the space offers the appropriate closeness between stage and audience.

Why this evening deserves attention

Sharon Kotkovsky is present in Potsdam as a theater maker and actress with biographically influenced works. This promises not a decorative dance show, but a serious, sensitive piece of stage art that approaches the inner fractures of the character through direction, movement, and presentation. This is precisely where the strength of this format lies: it tells not only about one person but about many possible self-images.

Conclusion: For those seeking contemporary dance theater with emotional depth, a clear artistic fingerprint, and strong stage presence, this evening offers a journey between body, memory, and reinvention. A live experienced event for all who want to not just see theater, but feel it physically.